Creighton Blinn

The Shades Are All Drawn

I know what you’re thinking

That even in those dawning days of cinema, 

My eyes cast for posterity.  

Well,

That wasn’t the case. 

I figured, if celluloid was man-made, 

It would dissolve, 

As readily as anything.  


So, I filmed for the payout, 

For carnival tours in need of new attractions. 

It was a living 

While it lasted, 

Until the bigwigs muscled in, 

Consolidating all the profits for themselves.

I didn’t stick around long after. 

Could’ve struck it rich, maybe,

Married a starlet, 

But, what difference would it have made?

Now,

I won’t deny there weren’t nights dancing through moonlit bungalows  

Or mornings laid out on the beach with an empty bottle

And hazy memories of Gilda or Laura or . . . 


See, parties end. That’s how they run. 

And eventually I ran out of odds jobs 

And started knocking over liquor shops and other small concerns.

It lent its own air of excitement,

I won’t deny it,

But,

I never thought myself better than anyone else;

We’re all no better than warped filmstrips

And a century from now most of us, 

Like the majority of those cheapies we shot for the Nickelodeons, 

Will be forgotten.


So, to answer your question

Why I’m loitering 

Beneath this decrepit marquee,

Well, perhaps, part of me does 

Pine for parades gone by. 


Creighton Blinn’s writing has been published on three continents. His poetry has appeared in From the Depths, The Helix Magazine, Conclave, Broad River Review, Wingless Dreamer, and (forthcoming) The Ice Colony. His story “The Fifth Day” has been serialized in Zenite. His blog is http://pacingmusings.tumblr.com; his Instagram is @pacingmusings.